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Life in the Victorian Era, Fact or Fiction?

VictorianCouple

Despite the image of lavender sachets, lace doilies, and strict rules of social etiquette, not everything we’ve come to believe about life in the nineteenth century is true. Compare these facts to your assumptions and see  if those clever Victorians have you fooled.

Victorian women married young. False. Although the legal age to marry was lowered from twenty-one to twelve years of age in 1823, most women of the Victorian era married between eighteen and twenty-three. Upper class families actually preferred their daughters not to marry before reaching the age of twenty and it became increasingly popular for wealthy women to wait until their mid-twenties to wed.

Pink was a masculine color in Victorian England. True. The Victorians viewed their children as small adults and often expected adult-like behavior from their little charges. So its no wonder they favored lighter shades of the colors favored by themselves. Red was considered a strong, virile, masculine color and dressing boys in pink was commonplace. Blue was considered dainty and feminine. It wasn’t until the 1930s and 40s that blue became universally associated with boys and pink with girls.

Men wore corsets. True. As early as the seventeenth century, upper class males wore corsets or body belts to give their masculine physique the smooth lines that men’s fashions demanded at the time. Like their feminine counterpart, the body belt laced in the back. However nineteenth century men weren’t burdened by stiff whalebone supports. Instead, their corsets were made of lightweight cotton and often sported side buckles to prevent a pudgy tummy from escaping.

malecorset-2bodybelt-jpg

Victorians married their cousins. True. More than one marriage in ten was between first or second cousins among the Victorian upper class. Most notably, Queen Victoria and Prince Albert were first cousins. The arrangement was seen as beneficial to ensure that both power and wealth remained concentrated among the landed gentry especially at a time when the Industrial Revolution rapidly created a new generations of wealthy individuals. Ironically, the evolutionist Charles Darwin, who himself was married to his first cousin, Emma Wedgwood, was one of the first scientists to raise concern that consanguineous marriages had “injurious results to man”. By the late 19th century, physicians noticed an increased number of birth defects among families where marriage occurred between close relatives. The practice was discouraged and eventually fell out of fashion eventually becoming illegal in the early twentieth century.

Emma Brownlow, “The Foundling Restored to its Mother” (1858)

Emma Brownlow, “The Foundling Restored to its Mother” (1858)

 The notion of the “fallen woman” preoccupied Victorians. True. Victorian art and literature often revolved around the theme of a virtuous woman corrupted by the vices of sexual misconduct or alcohol abuse. The fallen woman was often led to desperate measures to survive such as thievery or prostitution. Others were driven to suicide. Offspring conceived in such immorality were commonly admitted to Foundling Hospitals where the illegitimate children became wards of the state. Mothers’ names were rarely recorded and children were often left with only a ribbon, swaddling blanket, or some other trinket to identify them with the hope of a future reunion.

Victorian women removed ribs to make their waists smaller. False. Although late nineteenth century fashion favored tiny hour glass figures, Victorian women did not have their lower ribs removed to create that highly desired wasp-like physique. Vanity aside, Victorian surgery commonly left more patients dead than alive so it would have been absurd to consider such a risky procedure. However, from a young age females were wrestled into the restrictive garments as they were considered conducive to good posture and believed to keep internal organs in proper alignment.

mort-safeObsessed with Gothic tales of vampires and other monsters, Victorians protected the graves of loved ones with iron cages. False. As the demand for corpses for use in anatomical dissection rose, it became an increasingly lucrative business to steal newly interred bodies for sale to medical schools. But in nineteenth century England and Scotland, it was a commonly held belief that the dead could not be resurrected if their bodies were not fully intact. The mortsafe was invented to protect the newly deceased from grave robbing. They came in many different styles but the one thing they held in common was their weight which prevented the interred body from being snatched.

Which fact about Victorian life surprised you the most?

 

 

 

 

Why Do We Say That? Slang from the Mighty Mississippi

Great Steel Bridge across the Mississippi River at St. Louis, MO circa 1870s

Great Steel Bridge across the Mississippi River at St. Louis, MO circa 1870s

The Mississippi River has a vaulted place in American history and legend. The Mississippi is often viewed as a boundary between the eastern, western and southern regions of the Untied States and is frequently used as an identifying landmark, such as “the oldest town west of the Mississippi.” But many people are unaware of the river’s influence on our everyday speech.

flatboat_bargee1500x1212Have you ever barged in to someone and ended up causing a commotion? Well that phrase gets its origins from the flimsy hard to control barges that were commonplace on the Mississippi. At one point, there were so many barges operating on the river, they would bump into or “barge into” one another slowing down river traffic.

Why is someone in trouble over a barrel? If a steamboat passenger went overboard, they were hauled back on deck and laid on their stomach over a barrel. Someone would push on their back applying pressure to their abdomen and forcing any water they had swallowed to expel. So when you’re in trouble, you’re said to be “over a barrel.”

Gorgeous steam-powered Mississippi Riverboat

Gorgeous steam-powered Mississippi Riverboat

Have you ever needed to let off steam? In 1803, Robert Fulton invented the steam engine allowing boats to travel up the Mississippi River for the first time. But these new engines were highly combustible and often exploded injuring and/or killing those on board. Eventually safety valves were added to the boilers allowing steam to escape when they reached capacity preventing the engine from blowing up. So today, when someone “lets of steam”, they are just releasing a little pent up emotion or energy.

raftEven river travel was not without social distinction. Flats or rafts were rectangular, flat-bottomed boats without keels. This meant that they were relatively easy to build, but this simple and affordable design also destined them to be an awkward one-way craft. They were built in various sizes and layouts depending on the load they would carry and the distance to be traveled.  A raft was the smallest, least fancy way to ship goods or travel on the river and a riff was the oar used to steer it. So people of lower social status who traveled this way became known as riffraff.

StacksIn addition to the riffraff, there were also some highfalutin’ folks traveling the Mississippi River. Wealthy patrons often sat on the upper deck near the smoke stacks where they could catch a breeze and get relief from the stifling heat. The high fluted edges of the smoke stacks kept the smoke away from these customers while the lower classes suffered in cramped, windowless quarters below deck. So when someone’s speech or writing is laden with a pompous or pretentious tone, they are said to be “highfalutin’.”

Ever wondered why a cabin on a ship is referred to as a stateroom? In the early days of riverboats rooms weren’t numbered but named after states, “The Alabama” or “The Mississippi,” lending the quarters a more elegant feel for their wealthy patrons. While cabins may be numbered today, the legacy of the stateroom continues on cruise ships all around the world.

The magnificent salon of the Grand Republic Riverboat circa 1876

The magnificent salon of the Grand Republic Riverboat circa 1876

After the civil war, the rapid growth of railroads cut into the profits of steamboats traveling the Mississippi River. In order to keep attracting their wealthy clientele, ships were built bigger with more elegant staterooms. Grand theaters offered live entertainment and casino gambling. So when someone is flamboyant or showy, they are said to be “showboating.”

Just as author Mark Twain immortalized life on the river in his 1883 memoir Life on the Mississippi, so does the prominence of this great American waterway remain alive in our common vernacular.

 

Researching History with Author, Sarah Monzon

I’m thrilled to offer you my first guest post by my friend, author Sarah Monzon.  I enjoyed Sarah’s new release Finders Keepers (A Carrington Family Novel) (Volume 1)so much, I asked her to stop by today and share how she did the research for this dual timeline story. (Click here to see Kelly’s review of Finders Keepers)

Yay! I’m so excited to be here with you all at Romancing History. Kelly asked me to share with you all a bit about the research I did for Finders Keepers. If you aren’t familiar with my new release, here is the blurb.

Three lives. Three hundred years. One ship that ties them together.

 

young romantic couple kissing in front of sunset in santa monicaSpain, 1689
The same evil that stole her mother’s life stalks Isabella Castellano. Afraid for her safety, Isabella disguises herself as a cabin boy and hires on to one of His Majesty’s treasure fleet vessels. But has her flight from a known threat only led her to be ensnared in a sea of dangers?

Florida, Present Day
Summer Arnet will go anywhere to capture the perfect shot that will get her marine photography noticed by the prestigious nature magazine, Our World—even diving in waters haunted by great white sharks. When a treasure hunter with a ladies’-man reputation approaches her about a sunken ship at one of her dive locations, it may be the chance she’s been looking for to launch her career…if his charming smile doesn’t derail her first. A past tragedy has left a hole in Trent Carrington’s life—a hole he’s tried to fill with women, money, and adventure. Could the feisty marine photographer be the missing piece, or will Trent finally accept that the treasure he seeks can’t be found where rust and moths destroy?

1689 Spain. Yeah, don’t ask me how I came up with that one. Maybe it had something to do with learning about Ponce de Leon in elementary school. Besides that rudimentary knowledge and a hazy memory, I didn’t have a lot of upfront knowledge about the setting and time period I was about to plunk my historical heroine in. How could I write vivid descriptions and transport readers without knowing how a 17th century galleon operated or what the people in that era wore?

I’m sure you’re all thinking the same thing—Google. Yep. I used Google. A. Lot. But you know what came even more in handy? Pinterest. I’m serious! I love Pinterest. Yes, I’ve had some epic crafting failure from there, but it really is a great research tool. Take for instance this schematic I found of a galleon. I referenced this picture to death! It was simply perfect because it showed me each level of the ship and its name. Then I could search deeper about what the uses were for each level.

Pinterest is also where I found the inspiration for my characters. Meet Isabella Constellano and Captain Montoya.

isabella (002) capt montoya (002)

Now that I had my characters and setting, I needed to add authentic layers. What exactly did sailors in the 17th century wear? Apparently their clothes were called slops and made from sturdy loose-fitting linen. Grease often coated the fronts from hauling the thick ropes across the deck.

But what about my heroic captain? Surely he wore something a bit more appealing than slops. Ah, yes. The leather jerkin and cavalier hat. Add to that a sword hanging from his waist and a commanding presence, and he soon has his female stowaway (and us readers!) swooning.

For the less visual details I needed, Google did come in handy. I learned a lot about the history of the treasure fleet, including the routes the ships sailed, the types of cargo they shipped to and from, and how the exports affected both Hispanolia and Spain.

 

biophoto (002)If you want to learn more about my research, be sure to check out the Finders Keepers board on my Pinterest page.

To order a copy of Finders Keepers for yourself, click on the cover!

Sarah Monzon is a pastor’s wife and a stay at home mom to the two cutest littles in the world. Playing pretend all day with them isn’t enough, she spends the evenings after their heads hit the pillow creating her own imaginary characters. When she isn’t in the world of make believe, she can be found in a small desert town in central Washington taking care of her family, fostering friendships, and enjoying all the adventures each day brings.

And the Bride Wore…Black?

My great-grandmother, Agnes Theresa Burger on her wedding day to John Porta, October, 22, 1907.

My great-grandmother, Agnes Theresa Burger on her wedding day to John Porta, October, 22, 1907.

Since June is a popular month for brides, I got to thinking about popular bridal fashions over the years. I remember the first time I saw this picture of my great-grandmother in this lovely dark gown. I asked mom if she was in mourning. I thought it odd she would have her picture taken if she was. I was shocked when mom replied that it was her wedding photo.

Intrigued, I researched the black wedding dress (and in those days it meant a trip to a library not surfing the web, LOL!)

But it actually makes sense. Throughout history, brides have dressed in a manner befitting their social status.  Weddings were usually more about political alliances and transfers of wealth than they were about romance, and so the wedding dress was just another excuse to show the wealth of the bride’s family. Brides in some parts of Renaissance Italy wore their dowry sewn onto their dress as jewels. Fabrics were also an important means to display wealth, and the more elaborate the weave of the material and the rarer the color, the better the demonstration of wealth.  Before the invention of effective bleaching techniques, white was a valued color: it was both difficult to achieve, and hard to maintain.

Blackweddingdress2You may be surprised to learn that it was common for brides from poorer families to wear everyday colors such as blue, green, brown, burgundy and, yes, even black, rather than white and ivory. Black was especially popular among brides with Scandinavian ancestry.

Prudent brides planned ahead – a wedding gown could be worn for many occasions, not just on their “special day.” The wedding gown was a lady’s “best dress” after the ceremony and it was much more reasonable to have a darker colored dress than a white or ivory dress. Light fabrics, were not practical for women from lower class families who could not afford to purchase garments that could soil too easily. Can you imagine the time and effort involved in keeping the hemline of a white gown clean? Laundering was a big consideration, unless, of course, the lady was from a prominent family who had servants available to handle the laundry.

So when did the white wedding dress come into fashion?

Queen Victoria on her wedding day, February 10, 1840.

Queen Victoria on her wedding day, February 10, 1840.

You can credit Queen Victoria for the trend that has lasted 176 years when she decided against wearing the traditional royal silver bridal gown during her marriage ceremony to her beloved Prince Albert. Instead, Queen Victoria chose a simple dress, made of white satin, trimmed with Honiton lace and a Hontion long veil. She chose a wreath of orange blossoms to represent purity instead of the more traditional royal crown.

Just a few years after her wedding, Godey’s Lady’s Book, a popular lady’s monthly stated that white was “the most fitting hue” for a bride, “an emblem of the purity and innocence of girlhood, and the unsullied heart she now yields to the chosen one.” In the years that followed, white became the dominant, traditional choice, symbolizing purity and maidenhood.

 

 

Wedding Fashion, Did You Know…?

  • The first documented instance of a princess who wore a white wedding gown for a royal wedding ceremony is that of Philippa of England, who wore a tunic with a cloak in white silk bordered with grey squirrel and ermine in 1406.
  • White wedding garments were not originally intended to symbolize virginity. Blue was the color traditionally connected to purity. It was only at the beginning of the 1920’s, as white wedding fashions became popular among middle and lower classes, that white became equated with the purity of the bride
  • The lifting of the veil is an ancient wedding ritual symbolizing the groom taking possession of the wife or the revelation of the bride by her parents to the groom for his approval. An opulent veil was supposed to enwrap the bride like a precious present.
  • Hand made lace was extremely expensive and few brides could afford a veil. As the 19th century progressed and machine made laces became more readily available, the bridal veil became more prevalent at weddings.

Although brides today can choose from a myriad of colors and styles, the traditional white and ivory dresses are still most popular, as many today view white not so much as a symbol of wealth but rather one of purity and virtue.

Have you been to a wedding where the bride wore a color other than white or ivory?

 

 

“Bully” for Teddy Roosevelt!

Teddy RooseveltBest known as the 26th President of the United States, Teddy Roosevelt was also a soldier, explorer, outdoorsman, author, reformer and trailblazer. Immortalized in stone on Mt. Rushmore, President Roosevelt’s influence stretches far beyond today’s history text books. It can be heard in many common words and expressions the former president popularized and we still use today.

Square Deal (a fair bargain or treatment) The Square Deal was President Theodore Roosevelt’s domestic program formed upon three basic ideas: conservation of natural resources, control of corporations, and consumer protection. These three demands are often referred to as the “three C’s” of Roosevelt’s Square Deal.

“The labor unions shall have a square deal, and the corporations shall have a square deal.” –TR, 1903.squaredeal

Hat in the Ring (The official beginning of a political campaign.) When amateurs wanted to challenge the winner of a boxing match for a chance to win a lucrative prize, they would throw their hat in the ring. A great sportsman, Teddy Roosevelt is credited with adapting this phrase from the outrageously popular sport of boxing to the political arena.

“My hat is in the ring, the fight’s on.”—TR, 1912. (Roosevelt said this when asked if he’d be running for president again that year.)

Mollycoddle (to treat someone indulgently or protectively; to pamper or baby)

“The Mollycoddle vote [consists of] the people who are soft physically and morally, or have a twist in them which makes them acidly cantankerous and unpleasant.” –TR, 1913. He also used this word to  describe the game of baseball, a sport for which he had no favor.

Pussyfoot (to avoid making a definite decision or commitment often out of fear or doubt)

“I think they are inclined to pussy-foot, and it is worse than useless for them to nominate me, unless they are prepared for an entirely straightforward and open campaign.”—TR, 1916. (This was Roosevelt’s response when asked about his odds of again becoming the Republican presidential nominee.)

Muckrakers (The name given to US journalists and other writers who exposed corruption in politics and business in the early 20th century.) The term was first used by Theodore Roosevelt in 1906. The phrase was modified from a character in John Bunyan’s novel Pilgrim’s Progress. “The men with the muck rakes are often indispensable to the well being of society; but only if they know when to stop raking the muck”—TR, 1906.BullMooseParty

Strong as A Bull Moose (to demonstrate formidable strength) Teddy Roosevelt coined this phrase after he received the Republican Party’s Vice Presidential nomination. After failing to win the presidential nomination in 1912, he formed the Bull Moose Party founded on progressive principles

      “I am as strong as a Bull Moose and you can use me to the limit.” –TR, 1900.

 Bully Pulpit (A public office or position of authority that provides an outstanding opportunity to speak out on any issue.) “Bully”, one of Roosevelt’s favorite expressions, means “grand” or “excellent.”

“I suppose my critics will call that preaching, but I have got such a bully pulpit!”—TR, 1909.

'Promise me we'll have meaningful wedding vows without any weasel words...'

 Weasel Words (soft and ambiguous language; words used in order to avoid being clear or direct.)

“One of our defects as a nation is a tendency to use what have been called ‘weasel words.’ When a weasel sucks eggs, the meat is sucked out of the egg. If you use a ‘weasel word’ after another, there is nothing left of the other.” –TR, 1916.

Nailing Jelly to the Wall (something difficult-to-impossible to understand or describe). I don’t hear this too much anymore but this phras was osed to be one of my grandmother’s favorite expressions.

“Somebody asked me why I did not get an agreement with Columbia. They may just as well ask me why I do not nail cranberry jelly to the wall.” –TR, 1912.

TR’s exuberant, no-nonsense personality impacted everything he touched from politics to nature conservancy leaving behind not only a legacy as one of America’s most popular presidents, but many additions to the American lexicon as well.

Is there a phrase above you use or hear frequently? One you’ve never heard?

 

What’s Napoleon Hiding in There?

Napoleon in His Study, by Jacques Louis David, 1812

Napoleon in His Study, by Jacques Louis David, 1812

Have you ever wondered what men are hiding inside their waist coats in all those classical portraits?

You know what I’m talking about, right? All those stately portraits from the 18th and 19th century where men are posed with their right hand tucked inside their clothing. It seems rather odd to me. Who really stands that way? What could they be hiding? Perhaps a snack in case the portrait session lasted too long? Maybe a weapon in case the artist didn’t portray them in a favorable manner? Some have suggested that the portrait’s subject had an ulcer or other stomach ailment, or perhaps he is winding his watch or scratching an itch.

It seems the real reason is quite simple.

Early in the 18th century, English portrait artists began looking to classical orators and the postures used in ancient Greek and Roman statuary for their inspiration.  The hidden-hand pose, according to the Greeks, conveyed calm assurance and became popular among the nation’s statesmen. In fact, many Greeks considered it rude to speak with your hands outside of your clothing especially when discussing matters of state.

Statue of Aeschines, Greek Orator

Statue of Aeschines, Greek Orator

By the time of Aeschines, a famous Greek statesman and orator, the tradition had gone out of vogue. But in his speech, Against Timarchus (346 B.C.), Aeschines challenges Timarchus and all Greek statesmen to reinstate the custom:

“And so decorous were those public men of old, Pericles [495-429 B.C.], Themistocles [524-459 B.C.], and Aristeides [530-468 B.C.] (who was called by a name most unlike that by which Timarchus here is called), that to speak with the arm outside the cloak, as we all do nowadays as a matter of course, was regarded then as an ill-mannered thing, and they carefully refrained from doing it. And I can point to a piece of evidence which seems to me very weighty and tangible. I am sure you have all sailed over to Salamis, and have seen the statue of Solon [638-558 B.C.] there. You can therefore yourselves bear witness that in the statue that is set up in the Salaminian market-place Solon stands with his arm inside his cloak. Now this is a reminiscence, fellow citizens, and an imitation of the posture of Solon, showing his customary bearing as he used to address the people of Athens.”

Marquis de Layfayette, portrait by Charles Wilson Peale

Marquis de Lafayette, portrait by Charles Wilson Peale

While Napoleon’s portrait by Jacques Louis David may be the most iconic depiction of a “hidden hand” portrait, the fad had been revived nearly a hundred years earlier. Francois Nivelon’s A Book Of Genteel Behavior of 1738 states the hand-inside-vest pose denoted “manly boldness tempered with modesty.” It seems the English elite liked this portrayal of themselves and began commissioning artists to paint them in the revived Greek pose. In her essay,”Re-Dressing Classical Statuary: The Eighteenth-Century ‘Hand-in-Waistcoat’ Portrait,” Arline Meyer notes the pose being used in eighteenth century British portraiture as a sign of the sitter’s breeding. The gesture became used so frequently that people questioned whether or not the artists were even capable of painting hands.

Photograph by Mathew Brady

Photograph by Mathew Brady

Even with the advent of photography, the stance continued to remain popular. Although usually photographed in a seated position, “hand-in-pocket” images can be found of American weapons inventor Samuel Colt, author of The Communist Manifesto Karl Marx, and many civil war general including Major Generals George B. McClellan, Ambrose Burnside and William Tecumseh Sherman. The practice fell out of favor by the end of the 19th century, although it was still occasionally used in the 20th century, most famously by  Joseph Stalin.

With the introduction of smart phones and their ability to take photos anywhere at anytime, do you think we’ve lost an ere of respectability in the way we represent ourselves in photos today?

 

What do April 1, a sundial and Benjamin Franklin all have in common?

What do April 1, a sundial and Benjamin Franklin all have in common?

Answer: The Penny

April first is not just April Fools day, its also National One Cent Day and the penny can trace its lineage to one of America’s favorite founding fathers, Benjamin Franklin. Franklin designed the first United States one cent coin minted in 1787.

Fugio One Cent Coin

Fugio One Cent Coin

Franklin’s coin was much larger than today’s penny, nearly the size of a half-dollar.  At that time, people expected coins to contain close to their face value in metal. The first official one cent coin has become known as the Fugio Cent to coin collector’s in reference to the Latin phrase “Fugio” (Latin: I flee/fly) engraved on the reverse side of the coin along with the images of a sun shining down on a sun dial. Beneath the sundial appeared the phrase, “Mind Your Business.” The image and the words form a rebus meaning that “time flies, do your work.”

The reverse side of the coin featured a chain of 13 links, each representing one of the original thirteen colonies. Inside the circle chain was engraved the motto “We Are One”. Gold and silver coins transitioned to the motto “E pluribus unum” (Latin: Out of Many, One) from the Great Seal of the United States.

Flying Eagle Penny

Flying Eagle Penny

By the 1850s, the United States Treasury was looking to reduce the size and composition of the one-cent coin to make it easier to handle and more economical to mint. In 1857 the United States Government introduced the Flying Eagle cent. This was the first one cent coin minted in the exact diameter of the modern penny you have in your pocket. Although somewhat thicker and heavier, the Flying Eagle was also the first penny composed of copper and nickel.

Indian Head Penny

Indian Head Penny

The design changed again in 1859 portraying the Goddess of Liberty wearing an Indian headdress. The Indian head penny remained in circulation until 1909 when it was replaced by the image of President Lincoln issued for the 100th anniversary of the assassinated president’s birth and still graces the face of the one cent coin. Today’s penny is made of copper and zinc and the Union Shield is engraved on the reverse side replacing the Lincoln Memorial which had been there since 1959.

Although pennies may be the smallest denomination of United States currency, they’ve had a huge impact on American expressions concerning both saving and spending money. Some of the oldest sayings use the word “penny” as a way of identifying a minimal amount, low-cost  or limited value.

saving penniesThe proverb “a penny spar’d is twice got” encourages frugality. By declining to spend a penny and to save one’s money instead, you are a penny up rather than a penny down, hence ‘twice got’. “A penny saved is a penny earned” is another thrifty axiom often falsely attributed to Benjamin Franklin. First published in Pall Mall magazine in 1899, the maxim implies that even small bits of money are important though many people don’t think a penny is really worth saving.

If you’re experiencing a bad turn of events, then you might find yourself “without two pennies to rub together.” This expression is often muttered by those who tend to spend their money as soon as they get it. Thus, they never seem to have any cash in their pocket.

pennypincher

Here are some other common English phrases using the word penny:

Penny Pincher: a bargain hunter or someone who is always trying to get a good deal

Pretty Penny: an expression used to describe an expensive or extravagant item

Penny wise and pound foolish: someone who watches small expenditures while making unwise investments or squanders money on frivolous expensive purchases

In for a penny, in for a pound: when a good opportunity finally comes your way  you’re willing to risk whatever you have in the venture

Penny Dreadfuls: serial stories printed on cheap pulp paper selling for one cent per issue

Penny ante poker: a poker game between players not willing to risk much cash

Although I can’t afford to give each of you “a penny for your thoughts,” I hope you have a little more respect for the smallest coin in your wallet.

Penny Dreadful’s Legacy

“To her and none other. Swear to give the girl to me to do with as I please, and I will agree that for every person now in yonder town, a death notch shall be made.”

“Red Hatchet agrees. When he can count the death notches of all his sworn enemies, and is free to go back to his once pretty village, he will deliver Siska to the Devil Dwarf to do with as he pleases.”

“Then call the girl. We will tap a vein in her arm, and seal this compact with a draught of her blood!” the avenger said.

~~Excerpt from Deadwood Dick’s Doom (or Calamity Jane’s Last Adventure)

Sweeney Todd, 1842

Sweeney Todd, 1842


If you love to read like I do, you may be surprised to learn that stories like Deadwood Dick’s Doom (above) paved the way for your favorite author today. These stories, originally known as Penny Dreadfuls, were the first successful mass market paperbacks. First popularized in Victorian Britain, Penny Dreadfuls, sometimes referred to as Penny Bloods, were lurid serial fiction stories published in weekly eight or sixteen page installments, with each part costing one penny. The term quickly became applied to any publication featuring sensational fiction such as story papers and booklet libraries.

Also known in Britain as Shilling Shockers, these stories could best be described in one word, melodramatic. Filled with what today’s editor’s would gleefully strike through as purple prose, these tintillating stories drew readers by romanticizing danger and hardship with larger-than-life heroes defeating villains and rescuing damsels in distress. Rambling plot lines emphasized heinous acts of poisoning, strangling, burglary and narrow escapes from sexual assault that by today’s standards would be considered racist and misogynistic.

Their authors, who might keep ten of these stories spinning simultaneously, were paid at the rate of a penny a line, which had a direct effect on the text. Skilled practitioners quickly learned that short staccato-like sentences not only were the most profitable but increased the dramatic effect as well.

Penny Dreadfuls were printed on cheap pulp paper and were aimed primarily at the working class who saw a sharp rise in literacy rates with new laws requiring mandatory education for all of Britain’s children through age nine. In addition, the proliferation of the railroad made the distribution of Penny Dreadfuls affordable to the masses at a time when traditional full-length novels by authors like Charles Dickens sold for a dollar each.

MalaeskaThe fad took hold on this side of the Atlantic as well when brothers Erastus and Irwin Beadle published Ann Stephens’ “Maleska the Indian Wife of the White Hunter” in 1860. Promoting the work as “a dollar book for a dime,” it was an instant success selling an estimated 300,000 copies in its first year. A feat any author today would would eagerly aspire to repeat.

Beadle’s early publications were printed in orange wrapper papers with no illustrations on the cover. Eventually cover art appeared enticing the curiosity of consumers with illustrations depicting scenes of mayhem and bloodshed.

Drawing on the Beadle’s success, other publishers quickly followed suit and it seemed the American reading public couldn’t get enough of their serialized fiction. Subjects in the early days were pioneer and revolutionary war stories but other adventure genres, such as pirate tales and trapper adventures, also appeared frequently. After the civil war, the focus of the novels turned to the wild west and the detective genres and remained popular through the 1950’s. In the twentieth century the genre became known as pulp fiction after the cheap paper they were printed on.

Early cover art for Beadle's Dime Novels

Early cover art for Beadle’s Dime Novels

Early full cover art for dime novels

Early full cover art for dime novels

1933 cover, still selling for ten cents

1933 cover, still selling for ten cents

Dime Westerns, as they became known in America, were often based on real people like Jesse James, Buffalo Bill, Kit Carson, and Calamity Jane. Although purely fiction, these stories helped create a new national identity of patriotism and adventure. In addition, they helped level the playing field between the social classes as people began to judge the ideal man by his actions rather than his wallet.

Just like violent video games and movies today, dime novels were blamed for an upsurge in violence in American society. PennyDreadfulcrime-briefs1The New York Tribune published this article in June, 1884, blaming societal ills on the popularity of “cheap” literature, particularly dime novels. People complained that the deviant characters in novels influenced real people, particularly young men, to behave aggressively. “The work of the dime novel is being performed with even more than usual success. The other day three boys robbed their parents and started off for the boundless West. More recently a lad in a Philadelphia public school drew a revolver on his teacher, and examination showed that seven other boys present were armed with revolvers and bowie-knives […] The class of literature which is mainly responsible for all this folly is distributed all over the country in immense quantities, and it is distinctly evil in its teachings and tendencies.”

While penny dreadfuls and dime novels focused on fantastic, escapist fiction for the general masses, there is no denying they encouraged the working class to read and influenced generations of authors and publishers. British bookseller, C.A. Stonehill, noted in 1935 that “It is highly probably that in its day more people read Thomas Prest’s “First False Step” or “The Maniac Father” than had ever heard of a book published in the same decade, entitled Jane Eyre.”

Although I may prefer to read of Jane’s trouble with the enigmatic Mr. Rochester over “Keetsea, Queen of the Plains,” or “Crack Skull Bob,” I think it would be fun to write a character who is secretly hooked on the scintillating stories with the melodrama pouring over into her own life as she suspects something heinous has occurred to a missing neighbor. In her novella, “The Husband Maneuver,” With This Ring?: A Novella Collection of Proposals Gone Awry, Karen Witemeyer (one of my favorites) created a hero whose adventures as a bounty hunter were immortalized as Dead-Eye Dan in a series of dime westerns. Talk about a fun read!

How would you incorporate a Penny Dreadful into a novel’s plot line?

Irish In Our English, Why Do We Say That?

Even if you didn’t drink a Guinness yesterday, eat corn beef and cabbage, or dye your favorite cookie or beverage green, chances are you may have honored the Irish on St. Patrick’s Day without even realizing it!

Irish immigrants have been a part of the American story since its beginning and Gaelic, the ancient language of Ireland, can be found in many of the expressions we speak or read daily.

Daniel Cassidy, in his book How the Irish Invented Slang: The Secret Language of the Crossroads, shows us the depth of Irish contribution to American English.  After flipping through a Gaelic dictionary, he began searching for the phonetic equivalents of words English dictionaries described as being “from unknown origins.” Phrases he grew up hearing as part of the Irish working-class vernacular in New York City.

A sketch of the residents of Five Points, a famously Irish neighborhood in New York, published in 1885.

A sketch of the residents of Five Points, a famously Irish neighborhood in New York, published in 1885.

Mr. Cassidy notes that “[Irish Gaelic] was a back-room language, whispered in kitchens and spoken in the saloons.” Keeping the language and expressions of the homeland alive became a way for often disciminated against Irish Catholics to communicate.

Did you ever tickle your children and tell them to “Cry Uncle?” If you did, you can thank an Irishman for that expression. It turns out the Gaelic word, anacal means mercy. So when a couple of Irishmen were fighting and one begged for mercy, to the uniformed American ear it sounded like “uncle.”

Even the word “dude” comes from the Irish word, dúid, or a foolish-looking fellow, a dolt. In the latter half of the nineteenth century, dudes were guys who came down to the Five Points section of Manhattan to chase the “colleens” or ladies and appraently made a fool of themselves doing so.

Full of BaloneyHow about the American phrase, “you’re full of balooney?”  The Gaelic words béal (mouth) and ónna (foolish) combined for this famous expression meaning “you made it up” or “you have no idea what your talking about.”

Even the hippies can thank the Irish for one of their favorite expressions from the 1970s, “You dig?” comes from the Irish, “tuig,” or understand.

 

Here’s a short list of Irish-influenced English words from Cassidy’s book:

Scram: scaraim (to get away)
Boogaloo : bogadh luath (moving fast; moving quickly; fast rocking)
Crony : comh-roghna (fellow favorites, mutual pals)
Phoney : fáinne (a ring, later a “fawney”, a fake gold ring)snazzy_banana
Slugger : slacaire (a mauler or bruiser)
Scam : ’s cam é (it is fraud, crooked, a trick)
Puss : pus (lip, a mouth, a sulky expression, a pouty mouth)
Gimmick: camag (trick or deceit, or a hook or crooked stick)

Snazzy : snasah (polished, glossy and elegant)
Swell : sóúil (luxurious, rich and prosperous)
Spiel : speal (cutting satiric words, scythe)
Slum : ’s lom (a bleak, bare, exposed place)
Fluke : fo-luach(rare reward or occurrence)

Overheard but often misunderstood, these Irish words and expressions seeped into American English and became mainstays of American slang. Words like “malarkey,” “doozy,” “humdinger,” “jerk,” “punk,” “swanky,” “grifter,” “bailiwick,” “sap,” “mug,” “wallop,” “helter-skelter,” “shack,” “shanty,” “slob,” “slacker” and “knack” all have their origins in Irish Gaelic.  Even expressions like “gee whiz.” “holy cow” and “holy mackerel” are Anglicized versions of Irish expressions according to Cassidy.

With all these phrases to choose from, surely you must see the Irish in your own every day speech.

Which Irish influenced words are part of your everyday jargon?

 

 

 

Major Sullivan Ballou, Love Letters from History

persuasionThere are just some lines from a favorite book or movie that make you swoon.

You know what I’m talking about, right?

In Jane Austen’s Persuasion, Captain Frederick Wentworth is reunited with Anne Elliot, a woman who had refused his proposal at her family’s insistence years earlier. He bravely tries to win her hand again. Fearing she may accept her cousin, whom her family favors, he writes a letter professing what is most likely his final plea. The one no heart could resist. “You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever. I offer myself to you again with a heart even more yours than when you almost broke it, eight years and half ago…I have loved none but you.”

It doesn’t get much better than that.

Or does it?

Although that is one of my all-time favorite romantic declarations, it is fiction. Captain Wentworth, while dashing and honorable, never existed. Nor did his unfailing love for Anne.

But what about real life love stories?

Battle of first manassass

Col. Ambrose Burnside leads his bridge, including the 2nd Rhode Island, into battle on Matthews Hill Library of Congress

In the summer of 1861, the first major battle of the American Civil War raged near the tiny creek, Bull Run, not far from the town of Manassas, Virginia. In the days leading up to the confrontation, soldiers prepared mentally and physically for the battle by cleaning their weapons, sharpening their bayonets, and drilling in company and regimental formations.

And writing their loved ones.

Major Sullivan Ballou was one such soldier. An officer with the 2nd Rhode Island infantry, Ballou had been a lawyer and Speaker of the Rhode Island House of Representatives who answered Lincoln’s call for volunteers. Knowing his regiment would see action, Ballou’s thoughts turned to his wife and sons. Like soldiers throughout history, he wanted them to know one last time how much they meant to him and he penned a letter his beloved Sarah would only receive if he fell in battle.

Major Sullivan Ballou and his wife, Sarah.

Major Sullivan Ballou and his wife, Sarah.

Words meant to remind her and his sons of his love.

Words that give me goosebumps 155 years later.

Here are some of my favorite excerpts from his passionate letter:

“If I do not [return], my dear Sarah, never forget how much I love you, nor that, when my last breath escapes me on the battle-field, it will whisper your name.”

“The memories of all the blissful moments I have spent with you come crowding over me, and I feel most deeply grateful to God and you, that I have enjoyed them so long. And how hard it is for me to give them up, and burn to ashes the hopes of future years, when, God willing, we might still have lived and loved together, and seen our boys grow up to honorable manhood around us.”

“…if the soft breeze fans your cheek, it shall be my breath; or the cool air cools your throbbing temples, it shall be my spirit passing by. Sarah, do not mourn me dear; think I am gone, and wait for me, for we shall meet again.”

Sadly, Major Sullivan Ballou fell in battle July 21, 1861.

Like Captain Wentworth, his written words were intended to be the final time he would express his devotion to the woman who had claimed his heart. Unlike Jane Austen’s characters, Major Sullivan Ballou, his wife, Sarah, and their children were real people, with shattered dreams and broken hearts.

Love so poignantly expressed by Major Ballou to his wife is far more powerful than any fiction I’ve ever read or replayed from one of my favorite movies. It drives me to create scenes and stories that make me feel what Sullivan and Sarah felt for each other and reminds me how my own heart beats for my husband of twenty-five years.

If you thought you might never see your spouse or children again, what words would  you choose to express your love for them?

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