Romancing History

Year: 2016 Page 2 of 3

Happy Birthday, Uncle Sam!

Earlier this week, on September 7, Uncle Sam turned 203 years old!

I always thought Uncle Sam was only a nickname, a personification for the United States. But I recently found out there is a real person behind the name.

So who is the real Uncle Sam?samuel_wilson_portrait

Samuel Wilson, along with his brother Ebeneezer, began a meat packing business in Troy, New York. Samuel was considered outgoing and friendly, and became well known in Troy and the surrounding areas as “Uncle Sam.” Their enterprise was highly successful and soon the brothers purchased their own dock and sloops, as well as land to raise produce and pasture animals headed for the slaughterhouse.

During the War of 1812, the Wilson’s were subcontracted by Elbert Anderson, Jr. to supply five thousand barrels of pork and beef to troops stationed in New York and New Jersey. The barrels supplied to the army were stamped “E.A.–U.S.,” indicating Elbert Anderson, supplier to the United States government. Visitors to the docks asked what the marking on the barrels meant. Slaughterhouse workers mistaking the U.S. stamp for the initials of their employer responded, “Uncle Sam Wilson. It is he who is feeding the army.” The misinterpretation spread and before long any rations headed for U.S. government use were known as “Uncle Sam’s.”

nastunclesamBy March of 1813, “Uncle Sam” appeared in print as a nickname for the United States government in broadsides published in New York. The first sketches of Uncle Sam appeared in newspapers as early as the 1830s but the images varied from artist to artist. During the Civil War Uncle Sam’s appearance began to resemble that of Abraham Lincoln (tall, lean, beard). But it was Thomas Nast’s iconic rendering of Uncle Sam in the 1870s with a white beard, top hat, blue coat and striped pants had evolved into one that we would recognize today.  Before long, his image became pervasive in newspapers, magazines and advertisements. By 1876, Uncle Sam was widely used as a symbol for the U.S. government in Nast’s political cartoons. The image to the right appeared in Harper’s Weekly, November 24, 1877.

unclesamwantyouArtist James Montgomery Flagg’s version of Uncle Sam may be the most commonly known. Flagg’s Uncle Sam adds stars to his top hat and a red bow tie and points straight ahead at the viewer. During World War I, this version of Uncle Sam with the words “I Want You For The U.S. Army” was used as a recruiting poster. The image, which became immensely popular, was first used on the cover of Leslie’s Weekly in July 1916 with the title “What Are You Doing for Preparedness?” The poster was widely distributed and has subsequently been re-used numerous times with different captions.

But whatever became of Samuel Wilson? He and his brother opened a second meat-packing house in Catskill, New York and their operations grew to include over 200 employees. Samuel became a philanthropist and gave generously of his time and money to many civic organizations in the Troy, New York, area. Wilson died at age 88 in 1854. In September 1961, the U.S. Congress recognized Samuel Wilson as “the progenitor of America’s national symbol of Uncle Sam.”

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How a Snake Inspired the American Revolution

Don't Tread on Me Flag courtesy C. WhittenIf you’re anything like me, snakes give you the heebie-jeebies. And like me, you’ve probably seen that “Don’t Tread on Me” rattlesnake plastered on license plates, bumper stickers, hats and t-shirts. I’ve even seen it waived at political rallies on the news but I never understood what it meant…until now. And I’ve learned a snake may be the most frequently occurring symbol used to rally the colonists to unite and break the oppressive rule of the British crown.

Today we know it as the Gadsden Flag with its bright yellow background. But how did it come to represent the liberty sought by our forefathers?

Like so many things, it all began with Benjamin Franklin.

Join_or_DieIn 1751, Franklin wrote a humorous editorial in the Pennsylvania Gazette suggesting that in cordial response to Britain’s policy of sending convicts to America, America should return the favor by sending rattlesnakes to Britain. Years later during the French & Indian War, he resurrected his idea and created this first American political cartoon, a wood carving, using the image of a segmented snake. Urging the thirteen colonies to unite in common defense,  Franklin played on a myth common at the time that a dismembered snake could grow back together if the pieces were realigned before sunset. Each segment is labeled with the initial of one of the thirteen colonies however he lumped all of New England together (Maine, New Hampshire, Vermont, Massachusetts, Connecticut and Rhode Island) under the notation N.E. as the head of the snake, ready to strike.

revere-join-or-dieThis image was reprinted in newspapers throughout the colonies, and was often adapted by the publisher. Left is Paul Revere’s modified “Join or Die” serpent from the masthead of the Boston Journal, July 7, 1774.

Historians believe it was Franklin who wrote anonymously to the Pennsylvania Journal as “An American Guesser”, expounding on his use of the snake and advocating for its use as a national symbol:

  • No eye-lids so she is always on the watch, always vigilant.
  • Doesn’t begin an attack, but once in battle, she doesn’t surrender.
  • Her defenses are hidden (in her mouth) so she appears weak. And though the bite is small, it’s deadly.
  • She doesn’t attack until after she gives warning.

Franklin’s reptile resurfaced years later, once again as a symbol to unite Americans against the oppressive Stamp Act. This time the previously segmented viper had transformed into the coiled rattlesnake we recognize today.

Navy-Jack-clip-artAccording to historian Christopher Whitten, in 1775  the Continental Congress got word that two ships would be arriving in America laden with arms and powder to resupply British troops. The Congress authorized the building of  four ships to form the first American Navy and undertook a secret mission to capture those ships and their precious cargo. Colonel Christopher Gadsden, a member of the Marine Committee of the Continental Congress, appointed Commodore Esek Hopkins as the Commodore of the Navy. Believing the Commodore needed his own personal standard, Gadsden presented Hopkins with the yellow, snake-coiled “Don’t Tread on Me” flag . Many speculate that John Paul Jones, first lieutenant aboard the Alfred, most likely ran the standard up the gaff before the mission commenced. The snake even appeared across the red stripes of the first Navy jack.

CMMFlagOnce again, the coiled reptile was reprinted in publications throughout the colonies. Since there was no distinctive American symbol at the time, the “Don’t Tread on Me” image appeared on uniform buttons, banners, and flags. The Culpeper County Virginia Minute Men adopted the iconic coiled rattlesnake on their flag but added the words of Virginia Minute Men Organizer Patrick Henry, “Liberty or Death.” Also seen on currency, the Georgia-snakeseal from a 1778 $20 bill from Georgia (right), Gadsden’s home state, proudly displayed a serpent ready to strike. The new currency was financed by property seized from loyalists. The motto reads “Nemo me impune lacesset,” or “No one will provoke me with impunity.”

Its odd to think that if Franklin had his way, we might revere the snake instead of the bald eagle. While I take great pride in my heritage and the history behind the Gadsden flag, I’m glad this reptilian image remains a symbol of government oppression and not my national identity.

Do you think the snake would have made a good icon for America?

 

 

Life in the Victorian Era, Fact or Fiction?

VictorianCouple

Despite the image of lavender sachets, lace doilies, and strict rules of social etiquette, not everything we’ve come to believe about life in the nineteenth century is true. Compare these facts to your assumptions and see  if those clever Victorians have you fooled.

Victorian women married young. False. Although the legal age to marry was lowered from twenty-one to twelve years of age in 1823, most women of the Victorian era married between eighteen and twenty-three. Upper class families actually preferred their daughters not to marry before reaching the age of twenty and it became increasingly popular for wealthy women to wait until their mid-twenties to wed.

Pink was a masculine color in Victorian England. True. The Victorians viewed their children as small adults and often expected adult-like behavior from their little charges. So its no wonder they favored lighter shades of the colors favored by themselves. Red was considered a strong, virile, masculine color and dressing boys in pink was commonplace. Blue was considered dainty and feminine. It wasn’t until the 1930s and 40s that blue became universally associated with boys and pink with girls.

Men wore corsets. True. As early as the seventeenth century, upper class males wore corsets or body belts to give their masculine physique the smooth lines that men’s fashions demanded at the time. Like their feminine counterpart, the body belt laced in the back. However nineteenth century men weren’t burdened by stiff whalebone supports. Instead, their corsets were made of lightweight cotton and often sported side buckles to prevent a pudgy tummy from escaping.

malecorset-2bodybelt-jpg

Victorians married their cousins. True. More than one marriage in ten was between first or second cousins among the Victorian upper class. Most notably, Queen Victoria and Prince Albert were first cousins. The arrangement was seen as beneficial to ensure that both power and wealth remained concentrated among the landed gentry especially at a time when the Industrial Revolution rapidly created a new generations of wealthy individuals. Ironically, the evolutionist Charles Darwin, who himself was married to his first cousin, Emma Wedgwood, was one of the first scientists to raise concern that consanguineous marriages had “injurious results to man”. By the late 19th century, physicians noticed an increased number of birth defects among families where marriage occurred between close relatives. The practice was discouraged and eventually fell out of fashion eventually becoming illegal in the early twentieth century.

Emma Brownlow, “The Foundling Restored to its Mother” (1858)

Emma Brownlow, “The Foundling Restored to its Mother” (1858)

 The notion of the “fallen woman” preoccupied Victorians. True. Victorian art and literature often revolved around the theme of a virtuous woman corrupted by the vices of sexual misconduct or alcohol abuse. The fallen woman was often led to desperate measures to survive such as thievery or prostitution. Others were driven to suicide. Offspring conceived in such immorality were commonly admitted to Foundling Hospitals where the illegitimate children became wards of the state. Mothers’ names were rarely recorded and children were often left with only a ribbon, swaddling blanket, or some other trinket to identify them with the hope of a future reunion.

Victorian women removed ribs to make their waists smaller. False. Although late nineteenth century fashion favored tiny hour glass figures, Victorian women did not have their lower ribs removed to create that highly desired wasp-like physique. Vanity aside, Victorian surgery commonly left more patients dead than alive so it would have been absurd to consider such a risky procedure. However, from a young age females were wrestled into the restrictive garments as they were considered conducive to good posture and believed to keep internal organs in proper alignment.

mort-safeObsessed with Gothic tales of vampires and other monsters, Victorians protected the graves of loved ones with iron cages. False. As the demand for corpses for use in anatomical dissection rose, it became an increasingly lucrative business to steal newly interred bodies for sale to medical schools. But in nineteenth century England and Scotland, it was a commonly held belief that the dead could not be resurrected if their bodies were not fully intact. The mortsafe was invented to protect the newly deceased from grave robbing. They came in many different styles but the one thing they held in common was their weight which prevented the interred body from being snatched.

Which fact about Victorian life surprised you the most?

 

 

 

 

Why Do We Say That? Slang from the Mighty Mississippi

Great Steel Bridge across the Mississippi River at St. Louis, MO circa 1870s

Great Steel Bridge across the Mississippi River at St. Louis, MO circa 1870s

The Mississippi River has a vaulted place in American history and legend. The Mississippi is often viewed as a boundary between the eastern, western and southern regions of the Untied States and is frequently used as an identifying landmark, such as “the oldest town west of the Mississippi.” But many people are unaware of the river’s influence on our everyday speech.

flatboat_bargee1500x1212Have you ever barged in to someone and ended up causing a commotion? Well that phrase gets its origins from the flimsy hard to control barges that were commonplace on the Mississippi. At one point, there were so many barges operating on the river, they would bump into or “barge into” one another slowing down river traffic.

Why is someone in trouble over a barrel? If a steamboat passenger went overboard, they were hauled back on deck and laid on their stomach over a barrel. Someone would push on their back applying pressure to their abdomen and forcing any water they had swallowed to expel. So when you’re in trouble, you’re said to be “over a barrel.”

Gorgeous steam-powered Mississippi Riverboat

Gorgeous steam-powered Mississippi Riverboat

Have you ever needed to let off steam? In 1803, Robert Fulton invented the steam engine allowing boats to travel up the Mississippi River for the first time. But these new engines were highly combustible and often exploded injuring and/or killing those on board. Eventually safety valves were added to the boilers allowing steam to escape when they reached capacity preventing the engine from blowing up. So today, when someone “lets of steam”, they are just releasing a little pent up emotion or energy.

raftEven river travel was not without social distinction. Flats or rafts were rectangular, flat-bottomed boats without keels. This meant that they were relatively easy to build, but this simple and affordable design also destined them to be an awkward one-way craft. They were built in various sizes and layouts depending on the load they would carry and the distance to be traveled.  A raft was the smallest, least fancy way to ship goods or travel on the river and a riff was the oar used to steer it. So people of lower social status who traveled this way became known as riffraff.

StacksIn addition to the riffraff, there were also some highfalutin’ folks traveling the Mississippi River. Wealthy patrons often sat on the upper deck near the smoke stacks where they could catch a breeze and get relief from the stifling heat. The high fluted edges of the smoke stacks kept the smoke away from these customers while the lower classes suffered in cramped, windowless quarters below deck. So when someone’s speech or writing is laden with a pompous or pretentious tone, they are said to be “highfalutin’.”

Ever wondered why a cabin on a ship is referred to as a stateroom? In the early days of riverboats rooms weren’t numbered but named after states, “The Alabama” or “The Mississippi,” lending the quarters a more elegant feel for their wealthy patrons. While cabins may be numbered today, the legacy of the stateroom continues on cruise ships all around the world.

The magnificent salon of the Grand Republic Riverboat circa 1876

The magnificent salon of the Grand Republic Riverboat circa 1876

After the civil war, the rapid growth of railroads cut into the profits of steamboats traveling the Mississippi River. In order to keep attracting their wealthy clientele, ships were built bigger with more elegant staterooms. Grand theaters offered live entertainment and casino gambling. So when someone is flamboyant or showy, they are said to be “showboating.”

Just as author Mark Twain immortalized life on the river in his 1883 memoir Life on the Mississippi, so does the prominence of this great American waterway remain alive in our common vernacular.

 

Researching History with Author, Sarah Monzon

I’m thrilled to offer you my first guest post by my friend, author Sarah Monzon.  I enjoyed Sarah’s new release Finders Keepers (A Carrington Family Novel) (Volume 1)so much, I asked her to stop by today and share how she did the research for this dual timeline story. (Click here to see Kelly’s review of Finders Keepers)

Yay! I’m so excited to be here with you all at Romancing History. Kelly asked me to share with you all a bit about the research I did for Finders Keepers. If you aren’t familiar with my new release, here is the blurb.

Three lives. Three hundred years. One ship that ties them together.

 

young romantic couple kissing in front of sunset in santa monicaSpain, 1689
The same evil that stole her mother’s life stalks Isabella Castellano. Afraid for her safety, Isabella disguises herself as a cabin boy and hires on to one of His Majesty’s treasure fleet vessels. But has her flight from a known threat only led her to be ensnared in a sea of dangers?

Florida, Present Day
Summer Arnet will go anywhere to capture the perfect shot that will get her marine photography noticed by the prestigious nature magazine, Our World—even diving in waters haunted by great white sharks. When a treasure hunter with a ladies’-man reputation approaches her about a sunken ship at one of her dive locations, it may be the chance she’s been looking for to launch her career…if his charming smile doesn’t derail her first. A past tragedy has left a hole in Trent Carrington’s life—a hole he’s tried to fill with women, money, and adventure. Could the feisty marine photographer be the missing piece, or will Trent finally accept that the treasure he seeks can’t be found where rust and moths destroy?

1689 Spain. Yeah, don’t ask me how I came up with that one. Maybe it had something to do with learning about Ponce de Leon in elementary school. Besides that rudimentary knowledge and a hazy memory, I didn’t have a lot of upfront knowledge about the setting and time period I was about to plunk my historical heroine in. How could I write vivid descriptions and transport readers without knowing how a 17th century galleon operated or what the people in that era wore?

I’m sure you’re all thinking the same thing—Google. Yep. I used Google. A. Lot. But you know what came even more in handy? Pinterest. I’m serious! I love Pinterest. Yes, I’ve had some epic crafting failure from there, but it really is a great research tool. Take for instance this schematic I found of a galleon. I referenced this picture to death! It was simply perfect because it showed me each level of the ship and its name. Then I could search deeper about what the uses were for each level.

Pinterest is also where I found the inspiration for my characters. Meet Isabella Constellano and Captain Montoya.

isabella (002) capt montoya (002)

Now that I had my characters and setting, I needed to add authentic layers. What exactly did sailors in the 17th century wear? Apparently their clothes were called slops and made from sturdy loose-fitting linen. Grease often coated the fronts from hauling the thick ropes across the deck.

But what about my heroic captain? Surely he wore something a bit more appealing than slops. Ah, yes. The leather jerkin and cavalier hat. Add to that a sword hanging from his waist and a commanding presence, and he soon has his female stowaway (and us readers!) swooning.

For the less visual details I needed, Google did come in handy. I learned a lot about the history of the treasure fleet, including the routes the ships sailed, the types of cargo they shipped to and from, and how the exports affected both Hispanolia and Spain.

 

biophoto (002)If you want to learn more about my research, be sure to check out the Finders Keepers board on my Pinterest page.

To order a copy of Finders Keepers for yourself, click on the cover!

Sarah Monzon is a pastor’s wife and a stay at home mom to the two cutest littles in the world. Playing pretend all day with them isn’t enough, she spends the evenings after their heads hit the pillow creating her own imaginary characters. When she isn’t in the world of make believe, she can be found in a small desert town in central Washington taking care of her family, fostering friendships, and enjoying all the adventures each day brings.

And the Bride Wore…Black?

My great-grandmother, Agnes Theresa Burger on her wedding day to John Porta, October, 22, 1907.

My great-grandmother, Agnes Theresa Burger on her wedding day to John Porta, October, 22, 1907.

Since June is a popular month for brides, I got to thinking about popular bridal fashions over the years. I remember the first time I saw this picture of my great-grandmother in this lovely dark gown. I asked mom if she was in mourning. I thought it odd she would have her picture taken if she was. I was shocked when mom replied that it was her wedding photo.

Intrigued, I researched the black wedding dress (and in those days it meant a trip to a library not surfing the web, LOL!)

But it actually makes sense. Throughout history, brides have dressed in a manner befitting their social status.  Weddings were usually more about political alliances and transfers of wealth than they were about romance, and so the wedding dress was just another excuse to show the wealth of the bride’s family. Brides in some parts of Renaissance Italy wore their dowry sewn onto their dress as jewels. Fabrics were also an important means to display wealth, and the more elaborate the weave of the material and the rarer the color, the better the demonstration of wealth.  Before the invention of effective bleaching techniques, white was a valued color: it was both difficult to achieve, and hard to maintain.

Blackweddingdress2You may be surprised to learn that it was common for brides from poorer families to wear everyday colors such as blue, green, brown, burgundy and, yes, even black, rather than white and ivory. Black was especially popular among brides with Scandinavian ancestry.

Prudent brides planned ahead – a wedding gown could be worn for many occasions, not just on their “special day.” The wedding gown was a lady’s “best dress” after the ceremony and it was much more reasonable to have a darker colored dress than a white or ivory dress. Light fabrics, were not practical for women from lower class families who could not afford to purchase garments that could soil too easily. Can you imagine the time and effort involved in keeping the hemline of a white gown clean? Laundering was a big consideration, unless, of course, the lady was from a prominent family who had servants available to handle the laundry.

So when did the white wedding dress come into fashion?

Queen Victoria on her wedding day, February 10, 1840.

Queen Victoria on her wedding day, February 10, 1840.

You can credit Queen Victoria for the trend that has lasted 176 years when she decided against wearing the traditional royal silver bridal gown during her marriage ceremony to her beloved Prince Albert. Instead, Queen Victoria chose a simple dress, made of white satin, trimmed with Honiton lace and a Hontion long veil. She chose a wreath of orange blossoms to represent purity instead of the more traditional royal crown.

Just a few years after her wedding, Godey’s Lady’s Book, a popular lady’s monthly stated that white was “the most fitting hue” for a bride, “an emblem of the purity and innocence of girlhood, and the unsullied heart she now yields to the chosen one.” In the years that followed, white became the dominant, traditional choice, symbolizing purity and maidenhood.

 

 

Wedding Fashion, Did You Know…?

  • The first documented instance of a princess who wore a white wedding gown for a royal wedding ceremony is that of Philippa of England, who wore a tunic with a cloak in white silk bordered with grey squirrel and ermine in 1406.
  • White wedding garments were not originally intended to symbolize virginity. Blue was the color traditionally connected to purity. It was only at the beginning of the 1920’s, as white wedding fashions became popular among middle and lower classes, that white became equated with the purity of the bride
  • The lifting of the veil is an ancient wedding ritual symbolizing the groom taking possession of the wife or the revelation of the bride by her parents to the groom for his approval. An opulent veil was supposed to enwrap the bride like a precious present.
  • Hand made lace was extremely expensive and few brides could afford a veil. As the 19th century progressed and machine made laces became more readily available, the bridal veil became more prevalent at weddings.

Although brides today can choose from a myriad of colors and styles, the traditional white and ivory dresses are still most popular, as many today view white not so much as a symbol of wealth but rather one of purity and virtue.

Have you been to a wedding where the bride wore a color other than white or ivory?

 

 

“Bully” for Teddy Roosevelt!

Teddy RooseveltBest known as the 26th President of the United States, Teddy Roosevelt was also a soldier, explorer, outdoorsman, author, reformer and trailblazer. Immortalized in stone on Mt. Rushmore, President Roosevelt’s influence stretches far beyond today’s history text books. It can be heard in many common words and expressions the former president popularized and we still use today.

Square Deal (a fair bargain or treatment) The Square Deal was President Theodore Roosevelt’s domestic program formed upon three basic ideas: conservation of natural resources, control of corporations, and consumer protection. These three demands are often referred to as the “three C’s” of Roosevelt’s Square Deal.

“The labor unions shall have a square deal, and the corporations shall have a square deal.” –TR, 1903.squaredeal

Hat in the Ring (The official beginning of a political campaign.) When amateurs wanted to challenge the winner of a boxing match for a chance to win a lucrative prize, they would throw their hat in the ring. A great sportsman, Teddy Roosevelt is credited with adapting this phrase from the outrageously popular sport of boxing to the political arena.

“My hat is in the ring, the fight’s on.”—TR, 1912. (Roosevelt said this when asked if he’d be running for president again that year.)

Mollycoddle (to treat someone indulgently or protectively; to pamper or baby)

“The Mollycoddle vote [consists of] the people who are soft physically and morally, or have a twist in them which makes them acidly cantankerous and unpleasant.” –TR, 1913. He also used this word to  describe the game of baseball, a sport for which he had no favor.

Pussyfoot (to avoid making a definite decision or commitment often out of fear or doubt)

“I think they are inclined to pussy-foot, and it is worse than useless for them to nominate me, unless they are prepared for an entirely straightforward and open campaign.”—TR, 1916. (This was Roosevelt’s response when asked about his odds of again becoming the Republican presidential nominee.)

Muckrakers (The name given to US journalists and other writers who exposed corruption in politics and business in the early 20th century.) The term was first used by Theodore Roosevelt in 1906. The phrase was modified from a character in John Bunyan’s novel Pilgrim’s Progress. “The men with the muck rakes are often indispensable to the well being of society; but only if they know when to stop raking the muck”—TR, 1906.BullMooseParty

Strong as A Bull Moose (to demonstrate formidable strength) Teddy Roosevelt coined this phrase after he received the Republican Party’s Vice Presidential nomination. After failing to win the presidential nomination in 1912, he formed the Bull Moose Party founded on progressive principles

      “I am as strong as a Bull Moose and you can use me to the limit.” –TR, 1900.

 Bully Pulpit (A public office or position of authority that provides an outstanding opportunity to speak out on any issue.) “Bully”, one of Roosevelt’s favorite expressions, means “grand” or “excellent.”

“I suppose my critics will call that preaching, but I have got such a bully pulpit!”—TR, 1909.

'Promise me we'll have meaningful wedding vows without any weasel words...'

 Weasel Words (soft and ambiguous language; words used in order to avoid being clear or direct.)

“One of our defects as a nation is a tendency to use what have been called ‘weasel words.’ When a weasel sucks eggs, the meat is sucked out of the egg. If you use a ‘weasel word’ after another, there is nothing left of the other.” –TR, 1916.

Nailing Jelly to the Wall (something difficult-to-impossible to understand or describe). I don’t hear this too much anymore but this phras was osed to be one of my grandmother’s favorite expressions.

“Somebody asked me why I did not get an agreement with Columbia. They may just as well ask me why I do not nail cranberry jelly to the wall.” –TR, 1912.

TR’s exuberant, no-nonsense personality impacted everything he touched from politics to nature conservancy leaving behind not only a legacy as one of America’s most popular presidents, but many additions to the American lexicon as well.

Is there a phrase above you use or hear frequently? One you’ve never heard?

 

Come Hither and Speaketh Like Shakespeare!

ShakespeareSpeechMeme

April 23rd, 2016, marks the 400th anniversary of William Shakespeare’s death and what better way to honor the bard than with a national day! Talk Like Shakespeare Day was created by the Chicago Shakespeare Theater in 2009 to pay homage to one of the world’s best known storytellers and inspire new generations to fall in love with his poems and plays.

Here are some tips to speak like the Bard:

  • Replace your it’s with ‘tis, your he with ‘a, your and you with thou and ye
  • You will use thou if you are angry with the person or want to insult them. It is also used in intimate relationships (i.e. Romeo and Juliet). There may be switches within a single conversation, depending on the topic, the situation, the mood and the moment.
    • Thou art a boil, a plague sore, an embossed carbuncle in my corrupted blood. ~King Lear
  • Do not use “do” in negatives and questions.
    • I know not//I do not know
      Know you?//Do you know?
      I love thee not//l do not love you
  • Shakespeare often reversed the order of pronoun and adjective to modify nouns. It was the standard order in Old English.
    • Good my lord//My good lord
      Sweet my coz//My sweet cousin
      ‘Tis he that…//It is the man who…
  • Elizabethans, like Shakespeare, contracted a lot more words than we do today. However, not is never contracted in Shakespeare. It became a practice only after 1640s. The many elided forms evidence the pace of Elizabethan speech. In fact, when Romeo & Juliet was being performed in original pronunciation in parallel with modern English at Shakespeare’s Globe in 2004, the one in original pronunciatio ended 10 minutes earlier!
    • Arrive’d//Arrived
      Fix’d//Fixed
      Bless’d//Blessed

      ‘gin//Begin
      ‘scape//Escape
      ‘a//He
      ‘mongst//Amongst
      and’s//And his
      to’t//To it
      after’s//After his
      In’s//In his
      H’as//He has
      ‘Tis//It is, it’s
      ‘twas//It was

ShakespearSpeakingFrequent Words found throughout Shakespeare’s Works

GREETINGS

Fair befall you!//Best Wishes!
How do you?//How are you?
Grammercy//Thank you

ADJECTIVES & ADVERBS

Hither//Towards here
Come hither//
Come here
Thither//
Towards there
Even but now//
Just now
Wherefore//
Why
Therefore//That is why
Wherein//
Where, in which
Therein//
In that, there
Whereof//Of what

I pray thee/you//
Please
Anon//Soon
Nought//Nothing
Aught//Anything

ShakespeareMemeFREQUENT VERBS
Repair//Go (usually in a hurry)
Repair home//
Go home
Hie//Hasten, hurry up
Hie thee hither!//
Come here, quickly!
Become (Tears do not become a man)//Suit (Tears do not suit a man)
Dally//Linger; move, act slowly
Tarry//
Wait, stay, linger
Wot//Know
I wot not//I do not know

 

RECURRENT WORDS
Fie!//Shame! For shame!
How fare you?//
How are you?
Commend me to my lady//Pass on my greetings to the lady
Quoth//Said
Quoth I//
I said
An//If

Verily//In truth

Methinks//
I think
Methought//I thought
Bethink oneself//Think over

ENDINGS USED WITH THOU

Thou beest/ be’st//You are
Thou wast/ were//You were
Thou wilt/shalt//You will/shall
Thou knowest//You know
Thou thinkest//You think
Thou canst//You can
Thou mayst//You may
Thou shouldst//You should
Thou wouldst//You would
Thou hast//You have
Thou hadst//You had
Thou dost//You do
Thou didst//You did

Although my list of tips is nowhere near exhaustive, use them as oft as thou canst and they will become part of thy daily English with haste. Then canst thou make thy speech sound Shakespearean “trippingly upon thy tongue!”

What is your favorite line from one of Shakespeare’s works?

What’s Napoleon Hiding in There?

Napoleon in His Study, by Jacques Louis David, 1812

Napoleon in His Study, by Jacques Louis David, 1812

Have you ever wondered what men are hiding inside their waist coats in all those classical portraits?

You know what I’m talking about, right? All those stately portraits from the 18th and 19th century where men are posed with their right hand tucked inside their clothing. It seems rather odd to me. Who really stands that way? What could they be hiding? Perhaps a snack in case the portrait session lasted too long? Maybe a weapon in case the artist didn’t portray them in a favorable manner? Some have suggested that the portrait’s subject had an ulcer or other stomach ailment, or perhaps he is winding his watch or scratching an itch.

It seems the real reason is quite simple.

Early in the 18th century, English portrait artists began looking to classical orators and the postures used in ancient Greek and Roman statuary for their inspiration.  The hidden-hand pose, according to the Greeks, conveyed calm assurance and became popular among the nation’s statesmen. In fact, many Greeks considered it rude to speak with your hands outside of your clothing especially when discussing matters of state.

Statue of Aeschines, Greek Orator

Statue of Aeschines, Greek Orator

By the time of Aeschines, a famous Greek statesman and orator, the tradition had gone out of vogue. But in his speech, Against Timarchus (346 B.C.), Aeschines challenges Timarchus and all Greek statesmen to reinstate the custom:

“And so decorous were those public men of old, Pericles [495-429 B.C.], Themistocles [524-459 B.C.], and Aristeides [530-468 B.C.] (who was called by a name most unlike that by which Timarchus here is called), that to speak with the arm outside the cloak, as we all do nowadays as a matter of course, was regarded then as an ill-mannered thing, and they carefully refrained from doing it. And I can point to a piece of evidence which seems to me very weighty and tangible. I am sure you have all sailed over to Salamis, and have seen the statue of Solon [638-558 B.C.] there. You can therefore yourselves bear witness that in the statue that is set up in the Salaminian market-place Solon stands with his arm inside his cloak. Now this is a reminiscence, fellow citizens, and an imitation of the posture of Solon, showing his customary bearing as he used to address the people of Athens.”

Marquis de Layfayette, portrait by Charles Wilson Peale

Marquis de Lafayette, portrait by Charles Wilson Peale

While Napoleon’s portrait by Jacques Louis David may be the most iconic depiction of a “hidden hand” portrait, the fad had been revived nearly a hundred years earlier. Francois Nivelon’s A Book Of Genteel Behavior of 1738 states the hand-inside-vest pose denoted “manly boldness tempered with modesty.” It seems the English elite liked this portrayal of themselves and began commissioning artists to paint them in the revived Greek pose. In her essay,”Re-Dressing Classical Statuary: The Eighteenth-Century ‘Hand-in-Waistcoat’ Portrait,” Arline Meyer notes the pose being used in eighteenth century British portraiture as a sign of the sitter’s breeding. The gesture became used so frequently that people questioned whether or not the artists were even capable of painting hands.

Photograph by Mathew Brady

Photograph by Mathew Brady

Even with the advent of photography, the stance continued to remain popular. Although usually photographed in a seated position, “hand-in-pocket” images can be found of American weapons inventor Samuel Colt, author of The Communist Manifesto Karl Marx, and many civil war general including Major Generals George B. McClellan, Ambrose Burnside and William Tecumseh Sherman. The practice fell out of favor by the end of the 19th century, although it was still occasionally used in the 20th century, most famously by  Joseph Stalin.

With the introduction of smart phones and their ability to take photos anywhere at anytime, do you think we’ve lost an ere of respectability in the way we represent ourselves in photos today?

 

What do April 1, a sundial and Benjamin Franklin all have in common?

What do April 1, a sundial and Benjamin Franklin all have in common?

Answer: The Penny

April first is not just April Fools day, its also National One Cent Day and the penny can trace its lineage to one of America’s favorite founding fathers, Benjamin Franklin. Franklin designed the first United States one cent coin minted in 1787.

Fugio One Cent Coin

Fugio One Cent Coin

Franklin’s coin was much larger than today’s penny, nearly the size of a half-dollar.  At that time, people expected coins to contain close to their face value in metal. The first official one cent coin has become known as the Fugio Cent to coin collector’s in reference to the Latin phrase “Fugio” (Latin: I flee/fly) engraved on the reverse side of the coin along with the images of a sun shining down on a sun dial. Beneath the sundial appeared the phrase, “Mind Your Business.” The image and the words form a rebus meaning that “time flies, do your work.”

The reverse side of the coin featured a chain of 13 links, each representing one of the original thirteen colonies. Inside the circle chain was engraved the motto “We Are One”. Gold and silver coins transitioned to the motto “E pluribus unum” (Latin: Out of Many, One) from the Great Seal of the United States.

Flying Eagle Penny

Flying Eagle Penny

By the 1850s, the United States Treasury was looking to reduce the size and composition of the one-cent coin to make it easier to handle and more economical to mint. In 1857 the United States Government introduced the Flying Eagle cent. This was the first one cent coin minted in the exact diameter of the modern penny you have in your pocket. Although somewhat thicker and heavier, the Flying Eagle was also the first penny composed of copper and nickel.

Indian Head Penny

Indian Head Penny

The design changed again in 1859 portraying the Goddess of Liberty wearing an Indian headdress. The Indian head penny remained in circulation until 1909 when it was replaced by the image of President Lincoln issued for the 100th anniversary of the assassinated president’s birth and still graces the face of the one cent coin. Today’s penny is made of copper and zinc and the Union Shield is engraved on the reverse side replacing the Lincoln Memorial which had been there since 1959.

Although pennies may be the smallest denomination of United States currency, they’ve had a huge impact on American expressions concerning both saving and spending money. Some of the oldest sayings use the word “penny” as a way of identifying a minimal amount, low-cost  or limited value.

saving penniesThe proverb “a penny spar’d is twice got” encourages frugality. By declining to spend a penny and to save one’s money instead, you are a penny up rather than a penny down, hence ‘twice got’. “A penny saved is a penny earned” is another thrifty axiom often falsely attributed to Benjamin Franklin. First published in Pall Mall magazine in 1899, the maxim implies that even small bits of money are important though many people don’t think a penny is really worth saving.

If you’re experiencing a bad turn of events, then you might find yourself “without two pennies to rub together.” This expression is often muttered by those who tend to spend their money as soon as they get it. Thus, they never seem to have any cash in their pocket.

pennypincher

Here are some other common English phrases using the word penny:

Penny Pincher: a bargain hunter or someone who is always trying to get a good deal

Pretty Penny: an expression used to describe an expensive or extravagant item

Penny wise and pound foolish: someone who watches small expenditures while making unwise investments or squanders money on frivolous expensive purchases

In for a penny, in for a pound: when a good opportunity finally comes your way  you’re willing to risk whatever you have in the venture

Penny Dreadfuls: serial stories printed on cheap pulp paper selling for one cent per issue

Penny ante poker: a poker game between players not willing to risk much cash

Although I can’t afford to give each of you “a penny for your thoughts,” I hope you have a little more respect for the smallest coin in your wallet.

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